Tuesday, August 22, 2006

I didn't write this, but somebody did...

Perhaps one of the most interesting and colorful phrases in the English language today is the phrase "Snakes on a Plane". It is the one magical phrase, which, just by its sound, can describe pain, pleasure, love, and Samuel L. Jackson.

In language, "Snakes on a Plane" falls into many grammatical categories. It can be used as a verb, both transitive (John snaked Mary on a plane) and intransitive (Mary was snaked on a plane by John). It can be an action verb (John really snakes on a plane), a passive verb (Mary really doesn't snake on a plane), an adverb (Mary is snaking-on-a-plane interested in John), or as a noun (Mary is a terrific snake on a plane). It can also be used as an adjective (Mary is snaking-on-a-plane beautiful) or an interjection (Snakes on a Plane! I'm late for my date with Mary). It can even be used as a conjunction (John is ugly, SNAKES ON A PLANE, he's also stupid). As you can see, there are very few words with the overall versatility of the phrase "Snakes on a Plane."

Aside from its R-rated-because-that's-what-the-fans-demanded connotations, this incredible word can be used to describe many situations:

1) Surprise -- "What the snakes on a plane are you doing here?"
2) Fraud -- "I got snaked on a plane by the car dealer."
3) Resignation -- "Oh, snakes on a plane!"
4) Trouble -- "I guess I'm snakes on a plane now."
5) Aggression -- "GO SNAKE YOURSELF ON A PLANE!"
6) Disgust -- "Snake me on a motherfucking plane."
7) Confusion -- "What the...snakes on a plane...?"
8) Difficulty -- "I don't understand these snakes on a plane!"
9) Despair -- "Snakes on a plane again...."
10) Pleasure -- "I couldn't be happier if I had snakes on a plane."
11) Displeasure -- "What the motherfuck is going on here, snakes on a plane?"
12) Lost -- "Where are we going and why are there snakes on a plane?"
13) Disbelief -- "UN-SNAKES-ON-A-PLANE-BELIEVABLE!"
14) Retaliation -- "Up your fucking snakes on a plane!"
15) Denial -- "I didn't do it. The snakes did. On a plane."
16) Perplexity -- "I know everything to do with it, if it has anything to do with Snakes On A Plane."
17) Apathy -- "Who really gives a snake on a plane, anyhow?"
18) Greetings -- "How the snakes on a plane are ya?"
19) Suspicion -- "Who the fuck are you, snakes on a plane?"
20) Panic -- "Let's get the snakes on a plane out of here."
21) Directions -- "Fuck off, snakes on a plane."
22) Awe -- "How the snakes on a plane did you do that?"

It can be used in an anatomical description -- "He's got a motherfucking snake up his motherfucking plane." It can be used to tell time -- "It's five snakes on a plane thirty." It can be used in business -- "How did I wind up with this job? It's snakes on a plane!" And of course, it can be maternal -- "Motherfucking snakes on a motherfucking plane."

The mind fairly boggles at the many creative uses of the phrase! How can anyone be offended when you say, "Snakes on a Plane"? Use it frequently in your daily speech! It adds to your prestige.

Friday, August 18, 2006

Pandora is great, but...


I hadn't realized the seriousness of listening to streaming music before, until I was trying to get my Pandora web player to skip a few songs ahead.  Well, apparently, you can only do this a couple times per hour, due to "licensing" restrictions.  The FAQ tells me this:

Our music licenses do not allow us to let you back up the music to replay a specific song.


Oh, and don't try to game the system by repeatedly opening and closing the window, because the following language appears in the EULA:
 

6. SECURITY
The Pandora Services utilize technology to protect transmitted digital information. Your use of the Pandora Services may be limited by such technology. You acknowledge that, from time to time, Pandora may modify or discontinue using such technology. Security modifications made by Pandora may from time to time include required or automated updates, modifications, patches, and/or reinstallations of software. IF YOU ATTEMPT TO VIOLATE OR CIRCUMVENT ANY SYSTEM OR NETWORK SECURITY COMPONENTS OR TECHNOLOGY, YOU MAY BE SUBJECT TO CIVIL OR CRIMINAL LIABILITY.


What gives? Because I can't really decide what I listen to, this is OK?  Thank you sir, may I have another?
 


He's just ruffling feathers

I would like to offer a counterpoint to the idea that Tony Long at Wired presented. It's not about the means, or the medium.

All art that doesn't involve using one's hands (digital processes, for example) still needs to be judgedd by it's full integrity and product. The working definition of 'art' that I use - highlighting issues. If you aren't doing this, then it just isn't art - it is a pretty picture. Perhaps the author was focusing on his antiquated ideas that are rooted in 70's elementary school art rooms. Please cut your angels out more carefully next time! There is a certain opportunity for accident to shape your final work when using something like a stop bath, I admit. You can dodge and burn as long as you want, you can also underexpose, rip the paper, stomp on it, or light it on fire. Does this make it better? I work by recognizing accidents for the better, and I see this in sketchUp all the time. You stretch a line and it goes too far - instant addition! In all seriousness, however, it happens.

Free Image Hosting at www.ImageShack.us

Nobody ever said that classical painting has a digital equivalent. 3d animation has no renaissance equivalent either. In fact, the real difference that you are trying to establish (perhaps a superiority?) is that arts where the medium and materials are controlled by the elite or wealthy are more, I don't know, permanent? Why aren't there more frescos surviving from the Romans? Because the right to work on them was given to a select few (not in their house, of course). Digital art is almost entirely free and accessible to literally everyone. Yes, literally. As long as an internet connects several computers, it is possible to transfer art.

Finally, someday, every work of art, from the Mona Lisa to your powerpoint presentation last week will be easily reproducible. If every strok of a paintbrush could be stored, precisely, we could make as many of them as we want. Diamonds are soon-to-be plentiful, bandwidth, storage and processing are becoming free in parts of the world (not my country though). So, what about storing all art as a series of instructions, does thinking about it from this point of view change your mind?